Why don't we just let go?

Born in Jamaica.
Currently residing in Florida, unfortunately.
18yearsold.
Kelsey.


Do you get the heat off, girl? Yes I do.
Can you turn up the temperature? You bet I could.
Jamaican with a swagger? Yes I am.♪

I ain't no sweet sixteen.
veteranofthisscene. ♪

Single as fuck.







nerdylesbianconundrum:

misledghost:

catknuckles1:

meulins-choice-ass:

A pair of D-cup breasts weighs between 15 and 23 pounds—the equivalent of carrying around two small turkeys.

WHAT

*looks down at breasts* thanksgiving will never be the same…

uh oh

(Source: princesskimochi, via freakishsweetheart)

flirtay:

fast food workers say: NEVER order these items

nofreedomlove:

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Source

"Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself."

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

(via loverofthelittlethings)

wo-nderland:

JAMES FRANCO POSTED THIS AND I CANT STOP LAUGHING OH MY GOD

wo-nderland:

JAMES FRANCO POSTED THIS AND I CANT STOP LAUGHING OH MY GOD

(via waakeme-up)

hellaoptile:

you know how when you go to a concert or show of some sort and the person on stage is like “HOW’S EVERYONE DOING TONIGHT?!?!?!?!” and the audience cheers back? why? you’re not answering the question, you’re just yelling. imagine if we did that in daily conversation. “hey jeff, how are ya?” and jeff just starts screaming and clapping in your face

(via waakeme-up)

“I gave wrong people the right pieces of me.”

—   (via jakuzarskey)

(via waakeme-up)

who-am-i-anyway:

If BO$$ was like:

and We Know is like:

Reflection is like:

Over is like:

and Going Nowhere is like:

WHAT THE FUCK IS THE REST OF THE ALBUM GONNA BE LIKE??

(via waakeme-up)

(Source: hxgs, via waakeme-up)

hotsuburbandad:

This is fake. They haven’t been sat on that rock for 50 years. If you look closely you can clearly see her swimsuit is different in the second photo, it has stripes on it. And the guy’s shorts seem to have a more floral pattern in the latter photo.Also, if someone sat on a rock for 50 years, it would have made the news. My theory is, they simply returned to the same location 50 years later, and recreated the original photo.

hotsuburbandad:

This is fake. They haven’t been sat on that rock for 50 years. If you look closely you can clearly see her swimsuit is different in the second photo, it has stripes on it. And the guy’s shorts seem to have a more floral pattern in the latter photo.Also, if someone sat on a rock for 50 years, it would have made the news. My theory is, they simply returned to the same location 50 years later, and recreated the original photo.

(Source: heyfunniest, via waakeme-up)

vengeanceandrevenge:

fuckyeah-nerdery:

That last gif, though.

Julia Gillard is actually my favourite ever.

(Source: splintmail, via waakeme-up)

bruhcardi:

when u take off ur iphone case and it feels like ur holding a newborn

(via waakeme-up)

biddie5:

If I don’t become famous for this I’m going to be sad

(via waakeme-up)

waakeme-up:

killergoth:

take me here on our first date


OHVMY GOD WJERE IS RHIS

waakeme-up:

killergoth:

take me here on our first date

OHVMY GOD WJERE IS RHIS

(Source: decrepitar)